Jarnsaxa brings Nikea’s viral weapon back to the Hei Shui corporation, but must continue posing as Agent Bachman and develop diplomatic skills, when The Interviewer gives her a risky invitation. Loki finds Jasper, and lands in the tightest vise he can imagine: the role of a devoted father. Eric and Sif go to Hel, find the trapped Scandia Energy workers from Sottunga, and Agent Bachman adds to the greater mystery. What could Hel want from Sif? Why are the voices of Stephanie, The Interviewer and SoloMom so compelling to Loki and Jarnsaxa?
Jarnsaxa escapes the Hei Shui Corporation and finds a world more harsh than she expected. She meets Nikea and Rocola, learns what humans really can be, and is given an unusual weapon. Sif and Eric escape to the unknown, and Heimdall shows Thor how disastrous his mission to find Jarnsaxa could be.
Two terrific reviews for Jarnsaxa Rising are making their rounds on the Internet!
Podcast enthusiasts know that not much traditional journalism happens with regard to podcasts, especially independent creations. However, a few dedicated, kind souls write about podcasts, and write very well.
Wil Williams is a tireless advocate of podcast media, particularly when it comes to audio drama. She has a keen ear for detail, working to make the world of listening entertainment better. Since her bar is high, we are particularly grateful for her thoughtful consideration of Jarnsaxa Rising. To read more of her thoughts, subscribe to her blog and follow her on Twitter @wilwrites.
Elena Fernández-Collins is another hardworking podcast advocate. She writes for Bello Collective, and publishes a tinyletter called AudioDramatic, in which she reviews podcasts, and provides thoughtful musings on how podcast communities strengthen us as people, sharing ideas through listening. You can also find her on Twitter as @Shomarq. Subscribe to her newsletters for a comforting cup of audio nurturance.
Podcasting is sometimes a lonely business. After the recording is finished, the process of editing and promotion means a lot of time spent at your desk in front of a screen. Reviews like this make it all worth while. Thank you, ladies, for making us feel like real, live artists.
YOU TOO can put wind in our sails with a review! Share a thought on Twitter and include @JarnsaxaRising so we’ll be notified when you post it! Write a review on Apple Podcasts or Podchaser! Leave a comment on our Facebook page! The more you share about us, the stronger our community grows.
Thanks for reading! And if you haven’t had a chance to hear the story yet, why not listen now?
Her hair’s shorn (if you’ve heard Season 1, you recall that unfortunate incident), and she’s on a journey. She’s reluctantly agreed to bring Eric along, since they have a common wound from Loki’s trickery. But where is their next stop? And who’s chasing them?
Episode 1, We Who Contain Multitudes: In September of 1944, Jarnsaxa wakes in her witch bottle on the island of Sottunga. A plane crashes, bringing strangers to her realm. Will they free her? What are their intentions? Are humans worth her loyalty?
Episode 2, Only The Best & Brightest: Jarnsaxa and Loki infiltrate The Hei Shui Corporation, using the bodies of Bachman and Eric. Familiar voices distract them from their mission. Eric wakes in the Land of the Dwarves and meets Sif, only to risk making an enemy of her. Thor prepares for another of Odin’s murderous errands, and Heimdall demands answers.
You might notice that the Season 1 podcast feed disappears and reappears today. Nothing to worry about (knock wood). We’re doing a little bit of housekeeping, and getting our RSS feed ready for Season 2.
In the meantime, you can subscribe to this blog for updates, and follow us on Twitter or Facebook (just search for Jarnsaxa Rising), so you’l be able to get the story as soon as we launch.
Working on the website re-design means double-checking links which means having Google serve you up some delightful review surprise goodness!
Carolyn Ducker did a deep listen and wrote a review about Jarnsaxa Rising Season 1 at Geek Girl Authority. This review is really well-written, going into details of how all elements worked for her. I’ve read a lot of reviews in my time, and Ms. Ducker is very good with structure and prose, pointing out how her listening experience worked. In particular, I’m very excited because she praised our dramaturg, Kit Gordon. Dramaturgs are essential to writers, directors and producers, providing an advocate for the best possible story. They never get enough love.