Despite Sif’s new wisdom and Eric’s new insight about his relationships, Thor obstructs their mission. Loki uses his experience as the mother of Slepnir to gain Skuld’s trust. Eric uses 21st-century tools to stop Thor, and Sif invokes Jarnsaxa. The Interviewer remembers who she is. Heimdall is caught between Sif’s determination and Thor’s stubborness, and must carve his own path without the Aesir. Ratatoskr returns with intelligence from another world.
Special thanks to Tom Boutell for his understanding of .png files, and to Mark Edmundson for his understanding of ancient electricity.
Jarnsaxa brings Nikea’s viral weapon back to the Hei Shui corporation, but must continue posing as Agent Bachman and develop diplomatic skills, when The Interviewer gives her a risky invitation. Loki finds Jasper, and lands in the tightest vise he can imagine: the role of a devoted father. Eric and Sif go to Hel, find the trapped Scandia Energy workers from Sottunga, and Agent Bachman adds to the greater mystery. What could Hel want from Sif? Why are the voices of Stephanie, The Interviewer and SoloMom so compelling to Loki and Jarnsaxa?
Jarnsaxa escapes the Hei Shui Corporation and finds a world more harsh than she expected. She meets Nikea and Rocola, learns what humans really can be, and is given an unusual weapon. Sif and Eric escape to the unknown, and Heimdall shows Thor how disastrous his mission to find Jarnsaxa could be.
Her hair’s shorn (if you’ve heard Season 1, you recall that unfortunate incident), and she’s on a journey. She’s reluctantly agreed to bring Eric along, since they have a common wound from Loki’s trickery. But where is their next stop? And who’s chasing them?
Working on the website re-design means double-checking links which means having Google serve you up some delightful review surprise goodness!
Carolyn Ducker did a deep listen and wrote a review about Jarnsaxa Rising Season 1 at Geek Girl Authority. This review is really well-written, going into details of how all elements worked for her. I’ve read a lot of reviews in my time, and Ms. Ducker is very good with structure and prose, pointing out how her listening experience worked. In particular, I’m very excited because she praised our dramaturg, Kit Gordon. Dramaturgs are essential to writers, directors and producers, providing an advocate for the best possible story. They never get enough love.