Late-Summer Progress Report

Editing the podcast means a lot of listening, so I knit to keep from going insane.
Editing the podcast means a lot of listening to the same thing over and over and over again. So, I knit to keep from going insane.

You haven’t heard from us for a long time. We’re sincerely sorry for the silence. However, it is for a Really Good Reason. We’re deep in the editing phase, and it is slow going.

During our weekend in Minneapolis, we recorded a little bit over ten hours of data in two days. Now, Lindsay is sorting through the files in Garage Band, editing out the mistakes and hiccups. Once an episode’s file is clean, she passes it on to Vince.

Vince is using Logic to mix the episodes, adding the sound effects and making magic. This also is slow going.

“How slow is it?” I’ve been using The Pomodoro Technique to stay on task and productive, because otherwise my spine whines, my eyeballs complain, and I start gnashing my teeth and screaming at myself when I make mistakes. Episode 10, alone, took 20 Pomodoros. I’ll let you do the math.

IMG_3938One of the things we’ve learned is that there are very good reasons to record actors separately, in their own sound booths. It makes things much easier to edit and mix afterwards. However, if it comes down to a choice between carefully picking apart a sound wave to separate where one performer talked over another, or having the actors separated in performance, I’ll gladly pick the former.  Good actors can always imagine environment, stakes, other characters. It’s why Bob Hoskins was engaging in Who Framed Roger Rabbit? or why Benedict Cumberbatch’s Smaug is more than just an animated lizard. But, in our case we had a choice, and that choice was to have the performers able to look each other in the eye.

Almost all of the dialogue editing is complete. This isn’t really important right now. What is important is…

(drumroll)

Indiegogo Fulfillment! (kisssssshhhh!!!!)

Viking stone tablet
WARNING: Your letter will not be carved on a stone tablet. Please prepare accordingly.

I promised that letters would go out late in the summer. They will.  I’m going to send out a backer survey very soon to those who picked the letter option, and soon you’ll receive your one-of-a-kind tangible personal art object from the Jarnsaxa Rising character of your choice.

In the meantime, stay tuned, there’s more to come.

P.S. Did you know that September 28 will be a total lunar eclipse, also known as a blood moon?

Sounds like a good time for a party.

Thank you, everyone!

Odin arrives at Valhalla, riding his eight-legged horse, Slepnir
Odin arrives at Valhalla, riding his eight-legged horse, Slepnir. Photo by Berig. Image stone from from Tjängvide, Alskog Gotland (Go 110)This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International, 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.

Jarnsaxa Rising’s Indiegogo campaign is complete. As I write this, we are in Minneapolis*. Tonight, we have our first table reading with the cast and director. As I’m writing this, Vince is taking a well-earned nap, for putting up with an over-excited playwright. I’m watching raindrops on maple leaves outside the window, and getting all my notes and administrative stuff in order.

Thank you to everyone who contributed, who passed along links to the campaign, who clicked “like” and “share” buttons, and who patted me on the back when I said, “crowdfunding is scary.” Thank you to everyone who made me explain my ideas so I could focus and clarify them, including my thirteen year old friend Archer, who, at one point, said, “Is this a comedy?”

Speaking of since fiction and comedy, we also have to thank the creative team behind The Hadron Gospel Hour. I started listening to their podcast a few months ago, and enjoyed it enough that Jarnsaxa has been taunting their characters on Twitter. They were kind enough to promote our Indiegogo campaign, and I didn’t even had to ask them. Like our characters, The Hadron Gospel Hour’s Dr. Oppenheimer and Mike travel through space and time trying to make things right. However, they’re less vengeful, and funnier.

English: An original card from the tarot deck of Jean Dodal of en:Lyon, a classic "Marseilles" deck. The deck dates from 1701-1715. By Fuzzypeg at en.wikipedia [Public domain], from Wikimedia Commons
Strength. An original card from the tarot deck of Jean Dodal of Lyon, a classic “Marseilles” deck. The deck dates from 1701-1715.
There is no playbook for, “let’s travel halfway across the country to record a science fiction revenge tragedy audio drama serial,” and the risk has been nerve wracking at times. Having people say, “Of course this is a good idea,” gives us strength and courage.

Thank you again for helping us take risks and bring an unusual story to life.

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*If you’re saying to yourself, “Self, doesn’t that mean that their house is unguarded?” then you can guess again. If you’re casing out our house, you have probably already met our police-trained and extremely dangerous house-sitter. He waters plants, cuddles cats, and strikes without warning. Good luck with that.