Episode 5: What You Say You Want

witch bottle and contentsListen using iTunesPocketCasts, or Libsyn!

Agent Bachman interrogates Dr. Aspinall and The Mystery Woman, Dr. Aspinall deduces what the powerful contraption could be, and the woman offers them the chance to travel beyond reality. Will they take it? What will they find?

Dr. Aspinall: John T. Zeiler

Jarnsaxa: MaryLynn Mennicke

Agent Bachman: Katherine Kupiecki

Written by Lindsay Harris Friel

Directed by Carin Bratlie Wethern

Sound design, engineering and music by Vincent Friel

Dramaturgy by Kit Gordon

This episode of Jarnsaxa Rising was sponsored by Zoe Velonis.

Subscribe, review and rate us on iTunes! We want to hear from you.

For more information, visit JarnsaxaRising.com.

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Episode 2: The Hungry Place

Rocky Shore at Ballintoy by Andrew Wood

Episode 2: The Hungry Place

Listen using iTunesPocketCasts, or Libsyn!

Agent Bachman and Dr. Aspinall meet the devastation caused by the Hei Shui corporation, and a harsh landscape, where figures appearing from the mist bring more questions than answers.

Cast in order of appearance:

Agent Bachman: Katherine Kupiecki

Dr. Aspinall: John T. Zeiler

Mrs. Wallace: Molly Pach Johnson

Björn: Derek Meyer

Written by Lindsay Harris Friel

Directed by Carin Bratlie Wethern

Sound design, engineering and music by Vincent Friel

Dramaturgy by Kit Gordon

Special Thanks to Dagny of the Åland Islands Tourism Bureau for assistance with language and dialect. Tack så mycket!

This episode of Jarnsaxa Rising was sponsored by Brian Watson-Jones.

Subscribe, review and rate us on iTunes! We want to hear from you.

For more information, visit JarnsaxaRising.com.

Not a big tease, but a tease nonetheless.

JR9-14-15Jarnsaxa’s coming with the full moon.
In the meantime, here’s a clip for you to enjoy at your leisure.

iTunes has provided us with a URL, and we should appear in their searchable directory soon. If iTunes is your podcast purveyor of choice, you can subscribe here: Jarnsaxa Rising on iTunes. 

You can also use our RSS feed link, if you use a podcast app that asks for them, such as Podcast Addict.  http://jarnsaxarising.libsyn.com/rss

Pocket Casts has us right here.

Take us with you!

 

Press for the Process!

Recording. L-R: John Zeiler, Carin Bratlie, Katherine Kupiecki, Vincent Friel, Delta Rae Giordano. Crashed out on bed at center: MaryLynn Mennicke.
Recording. L-R: John Zeiler, Carin Bratlie, Katherine Kupiecki, Vincent Friel, Delta Rae Giordano. Crashed out on bed at center: MaryLynn Mennicke (who should been exhausted by this point).

Howlround.com has published a blog post that I wrote for them about adjusting from writing for theater to writing for audio drama.

A Playwright’s Learning Curve with Audio Drama

Vince and I are now back in Philadelphia. We have to get the house back in order and deprogram our pets, who seem to have been convinced we would never return.  Soon I’ll post some more about the recording process and what we learned. Suffice it to say, the experience was amazing. The people who worked on this are the most positive, productive people I’ve ever met. But right now, I need to shut my eyes and meditate on this for a bit. We have our editing work cut out for us.

Stay tuned!

 

Thank you, everyone!

Odin arrives at Valhalla, riding his eight-legged horse, Slepnir
Odin arrives at Valhalla, riding his eight-legged horse, Slepnir. Photo by Berig. Image stone from from Tjängvide, Alskog Gotland (Go 110)This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International, 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.

Jarnsaxa Rising’s Indiegogo campaign is complete. As I write this, we are in Minneapolis*. Tonight, we have our first table reading with the cast and director. As I’m writing this, Vince is taking a well-earned nap, for putting up with an over-excited playwright. I’m watching raindrops on maple leaves outside the window, and getting all my notes and administrative stuff in order.

Thank you to everyone who contributed, who passed along links to the campaign, who clicked “like” and “share” buttons, and who patted me on the back when I said, “crowdfunding is scary.” Thank you to everyone who made me explain my ideas so I could focus and clarify them, including my thirteen year old friend Archer, who, at one point, said, “Is this a comedy?”

Speaking of since fiction and comedy, we also have to thank the creative team behind The Hadron Gospel Hour. I started listening to their podcast a few months ago, and enjoyed it enough that Jarnsaxa has been taunting their characters on Twitter. They were kind enough to promote our Indiegogo campaign, and I didn’t even had to ask them. Like our characters, The Hadron Gospel Hour’s Dr. Oppenheimer and Mike travel through space and time trying to make things right. However, they’re less vengeful, and funnier.

English: An original card from the tarot deck of Jean Dodal of en:Lyon, a classic "Marseilles" deck. The deck dates from 1701-1715. By Fuzzypeg at en.wikipedia [Public domain], from Wikimedia Commons
Strength. An original card from the tarot deck of Jean Dodal of Lyon, a classic “Marseilles” deck. The deck dates from 1701-1715.
There is no playbook for, “let’s travel halfway across the country to record a science fiction revenge tragedy audio drama serial,” and the risk has been nerve wracking at times. Having people say, “Of course this is a good idea,” gives us strength and courage.

Thank you again for helping us take risks and bring an unusual story to life.

———–

*If you’re saying to yourself, “Self, doesn’t that mean that their house is unguarded?” then you can guess again. If you’re casing out our house, you have probably already met our police-trained and extremely dangerous house-sitter. He waters plants, cuddles cats, and strikes without warning. Good luck with that.

Time is running out.

Ragnarok hornWinter will come, and stay. Feuds will break out. All morality will disappear. The cock will crow, and the wolf will devour the sun. Heimdall shall blow his horn, summoning the Aesir to the field of battle, and Ragnarök shall begin.

All right. It’s not as bad as all that. But, you have a mere thirty-four hours to join Jarnsaxa Rising’s Indiegogo campaign. The funds we raise will go toward compensating the artists for their time and voices, and purchasing web hosting for the sound files.

In exchange, you can receive;

-a handwritten thank-you note from the character of your choice (a one of a kind work of mail art. your character might even draw. not very well, though. none of these characters are good at drawing, even though they enjoy it).

– Your praises sung (textually) on social media

-Access to the secret, members only section of our web site, with behind the scenes content.

cropped-7340720552_af85218ee9_k1.jpgIf you prefer, you can receive membership benefits, but keep it a secret that you supported us. Some people prefer their privacy, and that is 100% fine with us.

This story will be rehearsed and recorded next week, then edited and made available for everyone’s ears this autumn. But, if you want to be one of the people with a special connection to this project, now is your chance. 

Come join our story.

Meet the artists of Jarnsaxa Rising: Carin Bratlie

Carin headshot colorNo storytelling project succeeds without a good director, and our story’s in very good hands. Carin Bratlie has been with this project since its earliest conception, and has stuck with it for over five years.

Lindsay and Carin first met through a crafting website forum. They bonded over a shared love of knitting, which grew into an overlapping perspective on what art and storytelling can be. Both love dark comedy, science fiction TV, and ancient myths. Jarnsaxa’s determination to make a space for herself and her fellow creatures is fueled by Carin’s persistence and commitment, unique perspective, and a wicked sense of humor.

Carin is a freelance director, fight choreographer, and acting instructor in Minneapolis, MN. She is the founding Artistic Director of Theatre Pro Rata and has worked on every production in the theater’s history in some capacity. In addition to directing, she has also designed fight choreography, costumes and/or set for a number of Pro Rata productions. As a freelance artist she has directed for Park Square, Theatre L’ Homme Dieu, The History Theater, Theatre Unbound, Croix Valley Summer Theater, Tedious Brief Productions, Chameleon Theater Circle and others. She has assistant directed for the Guthrie Theater, Outward Spiral, and The History Theater. She teaches theater classes at the Guthrie, Youth Performance Company, and Steppingstone Theater. She was a participant director and full scholarship recipient at the Wesley Balk Opera/Musical Theater Institute in 2007, received a B.A. from Concordia College, Moorhead, MN in 1998, and is a member of the Society of American Fight Directors. Her recent all-female production of Julius Caesar with Theatre Unbound won an Ivey Award in 2012.

Director's chair with a woman symbol. From ARTINFO's "Twelve Female Directors That Are Reshaping American Theater"What made you decide that you wanted to do this project? 

I love Lindsay’s writing, and it’s really wonderful to see something that you planted the seed for years ago come to fruition.

Who’s your favorite character from Norse Mythology? 

I like Freyja. She’ll make with the sexytimes and then turn around and kick your ass. And then make with more sexytimes.

What are you reading these days? 

I just finished re-reading Snow Falling on Cedars, and I’m cracking into The Girl With the Dragon Tattoo. Haven’t read it, haven’t seen it, but a copy fell into my hands and I think it will be great summer hammock reading.

What’s your favorite pre-performance ritual?

For Pro Rata shows my favorite thing to do is hang up our past show posters in the lobby. It makes me really proud when I see the expanse of our history.

What’s under your bed right now? 

My collection of Fluevogs (currently at nine pairs), each pair stored in dust bags and then also in underbed storage bins.  Did I mention that I’m on a first name basis with the employees at the store in Uptown? I’m not a Shoe Girl, but I am a Fleuvog Girl.

We have less than a week to go before we’ll start rehearsing and recording. Want to be part of our story? JOIN US!